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BRUJERIA – Kicks Off US Run As Direct Support to NAPALM DEATH On Oct. 12th + Tickets Now On Sale

Kick Off The “Campaign For Musical Destruction – USA 2022” Tour As Direct Support to NAPALM DEATH On Oct. 12th
Tickets Now On Sale!

Extreme metallers BRUJERIA are joining NAPALM DEATH as direct support on their “Campaign For Musical Destruction – USA 2022” Tour. The 31-date trek will kick off on October 12 in Santa Cruz, California, and make stops in Pittsburgh, Orlando, and Austin before concluding in Los Angeles California on November 19th. CRYPTIC SLAUGHTERFROZEN SOUL, and MDC will join the package on select dates which can be seen below.

Today, the tickets for the tour are now on sale and can be purchased here:

Confirmed dates for BRUJERIA as direct support for NAPALM DEATH‘s “Campaign For Musical Destruction – USA 2022” Tour with CRYPTIC SLAUGHTERFROZEN  SOUL, and  MDC are:
10/12 Santa Cruz, CA – Catalyst
10/13 San Francisco, CA – Great American Music Hall
10/14 Bend, OR – Domino Room
10/15 Seattle, WA – The Showbox +
10/16 Portland, OR – Bossanova Ballroom +
10/18 Salt Lake City, UT – Metro Music Hall
10/19 Denver, CO – Bluebird
10/21 St. Louis, MO – Red Flag ~*
10/22 Chicago, IL – Thalia Hall ~*
10/23 Cleveland, OH – Grog Shop ~*
10/25 Pittsburgh, PA – Mr. Small’s ~*
10/26 Bensalem, PA – Broken Goblet ~*
10/27 Boston, MA – Paradise ~*
10/28 Brooklyn, NY – Music Hall Of Williamsburg ~*
10/29 New York, NY – Bowery Ballroom ~*
10/31 Carrboro, NC – Cat’s Cradle ~*
11/01 Athens, GA – 40 Watt *
11/03 Orlando, FL – The Social *
11/04 Tampa, FL – Crowbar *
11/05 West Palm Beach, FL – Respectable Street *
11/07 Birmingham, AL – Saturn *
11/08 Louisville, KY – Headliners Music Hall *
11/09 Nashville, TN – Basement East *
11/11 Houston, TX – Scout Bar ~*
11/12 San Antonio, TX – Paper Tiger ~*
11/13 Austin, TX – Mohawk ~*
11/14 Denton, TX – Rubber Gloves ~*
11/16 El Paso, TX – Rockhouse Bar & Grill *
11/17 Albuquerque, NM – Sunshine Theater *
11/18 Meza, AZ – Nile Theatre *
11/19 Los Angeles, CA – Belasco theater *+

With MDC

The band released their COVID-666 digital single via Nuclear Blast Records. Watch the quarantine-themed music video for their title track “COVID-666” which was directed by Juan Brujo.

BRUJERIA‘s most recent studio album, Pocho Aztlan, is the band’s first release since Brujerizmo was released in 2000 via Roadrunner. It was recorded over the course of many years and at several studios around the globe. The end result was mixed by Russ Russell (NAPALM DEATHTHE EXPLOITED).

BRUJERIA‘s legend has proliferated for nearly three decades. When the band first emerged from the sunbaked hellscape of Los Angeles in 1989, the city was on the brink of chaos. Daryl Gates ruled the LAPD with an iron fist, overseeing a legion of blue-suited stormtroopers who cracked brown and black skulls at every opportunity. Rodney King, the ’92 riots, and CA governor Pete “Pito” Wilson’s anti-immigrant Prop 187 were all on the bleak horizon. The Mexican-American agitators of BRUJERIA captured the mood of the city’s minorities with the band’s infamous and widely banned 1993 debut, Matando Güeros (“Killing White People”), quickly becoming the Spanish-language counterparts to early grindcore masters TERRORIZER and NAPALM DEATH. Led by lyricist and mastermind Juan BrujoBRUJERIA were alternately rumored to be satanic drug lords and members of well-established metal bands. The truth, as always, lay somewhere in between.

Fast forward to right about now: Pocho Aztlan is BRUJERIA’s first new album in 16 years. The title translates to “Wasted Promised Land,” a combination of Aztlán, the fabled ancestral home of the Aztecs, and the term pocho, which native Mexicans use to refer—not always kindly—to their counterparts born in the States. Brujo himself is pocho, a man caught between two worlds. Many pochos are not exactly accepted with open arms in Mexico. Meanwhile, they’re too often regarded as second-class citizens in their adopted US home. Brujo has transcended both scenarios through the power of BRUJERIA’s uncompromising grindcore and death metal. His all-Spanish lyrics are as vivid as they are effective: Bona fide tales from the frontlines of the drug war, the racial divide, and the battle for the border. “A lot of BRUJERIA songs are true stories,” Brujo says. “And if they haven’t happened yet, they will happen.”

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